född 2 november 1858, död i december 1932, var en svensk idealistisk konstnär. Krouthen föddes i Linköping och var son till handlaren Conrad Krouthen och Hilda Åberg. Släkten Krouthen kom från Norrköping och flera generationer hade arbetat som tenngjutare. Familjenamnet Krut ändrades genom att varubeteckningen Krut-tenn förfranskades till Krouthen. Conrad Krouthen kom till Linköping 1850 och startade en manufakturaffär vid Stora torget. Affären gick bra och 1857 kunde han gifta sig med sömmerskan Hilda Åberg. Krouthen kunde växa upp i ett välmående hem och han fick börja skolan på läroverket i Linköping. Vid 14 års ålder slutade han skolan och började arbeta åt fotografen och målaren Svante Leonard Rydholm som hade en atelje vid St. Larsplan. Krouthen fick lära sig grunderna i både målning och fotografering och vid 16 års ålder började han på Konstakademiens principskola i Stockholm 1875. Den treåriga utbildningen innebar att eleverna fick lära sig att rita av klot och profiler, djur och växter. Efter de tre åren fick Krouthen fortsätta vid akademin. I kursen "Lägre antiken" fick eleverna rita av gipsmodeller, i "Högre antiken" teckna efter levande model och i "Landskapsskolan" fick eleverna måla landskap. Under studietiden sökte sig många elever utanför skolan och Krouthen lärde känna konstnären Edvard Perseus. Perseus var kritisk till utbildningen på akademin och tog med sina elever bland annat till Mariefred och Gripsholms slott för att måla av naturen.  Related Paintings of johan krouthen :. | var i tradgarden med dam | Stiftsbibliotekarie Segersteen i sitt hem | gotlansk strand, | portratt av fabrikor o. b. jonsson | Karna kyrka, Malmslatt. Diocese of Linkoping |
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Januarius Zick
German,1730-1797 was a painter and architect. He is considered to be the one of the main masters of the Late-Baroque. Januarius Zick was born in Munich and began to learn his trade from his father, Johannes Zick, a renowned painter himself, to whom he was apprenticed in order to learn how to paint frescoes. In 1744, when Januarius Zick was fourteen years old, his brother, three years his junior, fell to his death from a scaffolding in Weingarten. From 1745 to 1748, Januarius Zick was apprenticed as a bricklayer to Jakob Emele in Schussenried. Having finished his apprenticeship, he worked, together with his father, at the residence of the Prince-Bishop of Wurzburg and then, until the mid-1750s, at the residence of the Prince-Bishop of Speyer in Bruchsal. In 1756, Januarius Zick went to Paris to further his education. There, he came into contact with artists and art connoiseurs from Rome, Basel and Augsburg, who broadened his horizon concerning his art and had a considerable influence on him. After having furnished Castle Engers near Neuwied with frescoes in 1760, he was appointed court painter to the Prince-Elector of Trier, the archbishop of Trier. He married in Ehrenbreitstein and settled there. After 1774, he also designed intarsia paintings for cabinet maker David Roentgen. From the late 1770s on, Januarius Zick was very active in Upper Swabia, furnishing a number of monastery churches and parish churches with frescoes and altarpieces.
Moore, Albert Joseph
English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
Eugen Bracht
Swiss, 1842 - 1921